And we've collaborated on some stuff, so this is our work right here. And this is a reel that includes some of my work, along with two of my colleagues: Andrew Mitchell, who's here in Los Angeles, and also Pryce Duncalf, who's in London. First I'm going to show you guys my little demo reel. So it's really great to be here, I'm really grateful that Maxon decided to invite me and let me show you guys how we made this really fun short film. How's everyone doing today? I'm Patrick Longstreth, and today I'm going to tell you about my short film that stars radioactive, mutant, killer jellyfish, all created in Cinema 4D. Patrick shows projection mapping used both in the visual effects of the film (pier sequence) and also to provide some depth and motion in an otherwise flat end-credits sequence.įinally, you'll see some of the compositing process, and how Realflow was used to create liquid simulations in the main title. He shows how C4D's Hair helped to surface the jellyfish tentacles, and a C4D preset to emit Thinking Particles from Hair tips helped to simulate water splashing from the hairs. Patrick shows a simple jellyfish rig and animation techniques using C4D deformers. Patrick used Cinema 4D in pre-production to visualize shots, and then turned to the application again after shooting the film to accomplish the visual effects.
Pier Destruction with Projections and Deformers See how Patrick Longstreth used Cinema 4D to achieve the visual effects in his short film Hellyfish.
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